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Veröffentlicht am Mittwoch, 22. Mai 2024

4 Monate

ENFP

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Joey Baron

One of my many heroes was [drummer] Grady Tate and I was always really inspired by the way he could play so many different situations. I never set out to do that; I just thought, well, that's what you do. At the time, that is what you did. If you learned to play an instrument and somebody asked you to play, the answer was yes. It didn't matter what it was for; you learned on the job. That was the atmosphere when I came along. I didn't have an attitude: "Well, I'll only play if it's a jazz gig," or something. I had not that attitude. That was my background, so to do these things, to me it's not really that special. I think, well, isn't it supposed to be that way? And basically, the job is really the same whether it's for John Zorn or whether it's for Jim Hall: the job is to try and help each person you're working for realize what they want to hear, that's the task. And it's the same, only they use different tools and different language, but that's not such a big deal.